Parallax

11
May 12

Parallax Office Outing: Totem

Post by Parallax

Last week, Parallax stepped away from the computers and entered into the world of Totem for a little creative inspiration.

Cirque du Soleil’s Totem illustrates, through a visual and acrobatic language, the evolutionary progress of species.

Aside from being incredibly entertained, from a design perspective, we were wowed! From the set design, costume design, lighting, and choreography, down to incredible attention to details, we were truly inspired by how Cirque du Soleil re-imagined and reinvented basic elements in nature in such a creative way and on such a large scale.

What’s it got to do with Parallax?
Every day we’re challenged to take something basic or “straight forward” and make it special. How can we make a brochure, annual report or website original? What makes a print piece stand out from the crowd? — unconventional materials, unexpected color pairings, and thought-provoking marks and illustrations all work together to create a master piece — just as all of the moving parts of Totem make for one spectacular show!

Totem will be at the Del Mar Fairgrounds April 26 – May 27th. Check out our pics from the show.

Parallax Team
Parallax Team at Cirque du Soleil’s Totem.
Kees enjoying a huge hand full of popcorn.
Kees enjoying a huge hand full of popcorn.
Elai enjoying a hand full of popcorn
Elai stuffing his mouth with popcorn.
Jonathan and Guusje head into the show with the kids.
Elizabeth was pretty excited about the show.
Totem Turtle Shell
The show opened with a bunch of frogs on a turtle shell.
Edison and Elizabeth enjoying the show.
Guusje and Kees
Guusje and Kees under the big top.
Totem Acrobats
Acrobats in action

10
Apr 12

Two New Ingredients

Post by Parallax

Entering into 2012, it was clear that Parallax was steadily growing. With new and exciting jobs and clients on the horizon, it was evident we needed more hands on deck, and we were ready to expand our creative team. We didn’t have to look very far to find our two newest talented hires, Mark Ngolab and Allen Ramirez. Mark started as a contract developer for Parallax, and we first worked with Allen as a Parallax intern and later as a freelancer. Now that we’ve made it official, it’s time for you to meet the newest members of our team…

Allen Ramirez, Designer

Allen’s passion for graffiti and urban art, gives him a fresh perspective and extra edge as a designer. An illustrator at heart, Allen was the kid in grammar school that his friends “hired” to doodle on their binders. Today he incorporates his talent for illustrating into his everyday work with typography, logos and graphic design. When he’s not sketching in his “black book,” Allen can be found skating around town, snowboarding or surfing. And to answer the question on everyone’s minds — he’s been growing those dreads since 2004.

Watch Allen illustrating on his kitchen table.

Mark Ngolab, Developer

He’s been coding websites since the early days of AOL. He built his first computer as a college freshman. He one day hopes to develop an app for the iPad. He’s Batman! Actually he’s Mark Ngolab. (But he is big fan of Batman.) What started as a hobby has now grown into a passion, as Mark adapts to the ever-changing world of web development, working with HTML, CSS, Flash, PHP, WordPress and Drupal. This tech guru’s eye for design paired with years of development experience makes him the final piece of the Parallax puzzle.

They’re looking forward to adding their creative juice to the punch and we are too. Read more about the rest of our team.

Read more…


7
Nov 11

Design. It’s in their culture.

Post by Jonathan Hanwit

The Netherlands. Holland. Where the Dutch live. Whatever you choose to call it, it’s an amazing place full of artistic inspiration. On my recent trip, I was once again reminded of our differences, not only in culture but in design. During my yearly pilgrimage to visit family and friends, I was able to spend some time in several different cities. I realized, as I always do, how different the level of understanding and appreciation for design and architecture is in Holland than here in the U.S.

I think there are several contributing factors: The government spends a considerable amount more money on art/culture/music per person compared to the U.S.. The Netherlands’ rich history lends itself to become deeply rooted in Dutch culture. There is a certain unspoken pride that exists with everyone – not to mention they all seem to be fairly educated about the arts. They seem to be more concerned about the aesthetic of their homes (interior design/furniture design). Many of their hobbies center around literature and fine art. They spend more time educating themselves about current affairs, and in turn what is happening with cultural events in their country. There wasn’t a house I visited that didn’t receive the newspaper daily. That is rarely the case here in the states.

Don’t get me wrong- There are still farmers, people are watching T.V. and kids outside playing, but as an outsider, I really saw cultural differences and tried to make sense of why the library I explored looked as cool as the Getty Musuem in LA! The architecture of average buildings in tiny towns in Holland would turn heads in San Diego.

The education, cultural heritage and money contributed by the government makes the average person and business acutely more aware of design, which in turn makes the level of design so much higher than here in the U.S.

Check out the photos I took over the course of a couple hours in the library with my iphone. It’s work like this that inspires us to keep creating and pushing design boundaries every day.

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24
Aug 11

On the go with QR codes

Post by Edison Miclat

QR code: www.thinkparallax.com

www.thinkparallax.com

You can remember a great ad, but can you remember that tiny URL in the bottom corner? Try using a QR code next time.

What?
What’s a QR code? A “Quick Response” code is a matrix bar code designed for high speed decoding on smartphones. They receive content like links to websites, text messages, phone numbers, calendar events, videos or even online purchases or downloads — which you can then save, use instantly, or share.

Continue reading →

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26
May 11

Parallax Reuses and Reuses

Post by Jonathan Hanwit

parallax brand collateral

Reduce. Reuse. Recycle. Repeat. I suppose there is no end to the cycle! But how do we, as a company, motivate our clients and ourselves to reuse and recycle?

How we’re doing our part:

Recently we completed a large, multipage document for a client.  After communicating with the printer, we realized that the size of the document left 4 x 36 inches of unused space on the press sheet.  (Quick printing tutorial: larger offset print jobs are printed on larger sheets – up to 40 x 28 inches – so multiple pages or pieces can fit onto one large sheet.)

What would you do with that space? With a print run in the thousands, tens of thousands of printed spaces would go unused. If my math is correct, that’s approximately 432,000 square inches of wasted space! We were already paying for the printing, ink and press time. We couldn’t let that space go to waste, now could we?

Of course, we’ve been crazy busy and didn’t have time to conceptualize ground breaking design ideas to fill the space, but we brainstormed and came up with a few pieces that will now last for the next 16 years. Seriously. We have thousands of each.

We’ve been redefining our brand this year, and these pieces are an extension of that new brand…

Business cards. A basic necessity, but we needed new ones with our new look. We’ve removed the phrase “visual communication” and simplified the name to Parallax. We are still visual communicators and still look at everything from every angle (parallax defined). We’ve only simplified it.

Bookmarks. Long and narrow. A fun leave-behind that plays off of our Dutch/American heritage.

Belly bands. No, not a substitute for your belt, but a wrapper for presentations, around binders, folders, paper, etc.

Wrapping paper. Yes, it fits our long and narrow mold, and maybe we’ll only be able to wrap antennas and rulers, but I’m sure the creative ones here will figure out something else do with it. Besides, how cool is it to have your own wrapping paper?

Go on Red campaign posters and postcards. This is the beginning of our “throw-your-keys-down-and-do-something-besides-drive-your-car” campaign. Over the next few months, we want to promote walking, skating, biking or taking the train in our Encinitas community and beyond, promoting basically anything besides driving. I suppose reusing paper to persuade others to reduce driving is doubly eco-conscious!

How you can do your part:

Converting print material to web is an obvious solution. It’s a reality for nearly 70% of our current projects. Annual report books have become online annual reports. The brochure has become the micro site, and so on. But we’ve found that print is not dead. It is still one of many effective tactics used to connect with clients and customers.  With that in mind, we are still creating new and unique ways to connect our clients with their audience through print communications.

For high quantity print pieces, we steer clients toward recycled paper and eco-friendly soy ink. However, recycled paper costs more than non-recycled paper. As cost is an ever-present concern, we occasionally print large quantities on non-recycled paper.

The best way to control paper waste is to print on an as-needed basis. Only recently has this become an option. With technology improving at light speed, it’s hard for the average consumer to know the difference between offset and digital printing. With this in mind, we’ve moved from large run, offset printing to short run, low quantity and low cost digital printing for most clients.

Digital printing saves more than just the environment. To start with, turn around time for digital printing can be same day. Offset printing requires at least a 3-day turn around time. Cost. You’ll be saving a chunk of change, as long as you are planning to print 1000 or fewer pieces in the near future. The breaking point for costs is usually around 1000-2000 pieces as to when offset becomes more economical. Changes. No matter how carefully you proofread the last comp, chances are in three months the information on a printed piece will need to change. If you’ve printed 10,000 pieces, you might be using the extra pieces and boxes as a back room table!

My hope is that by reducing waste and reusing materials on a personal level and within our business, others in the business world might follow. Help us create a “RE-volution,” one small step at a time!

parallax brand collateral


4
Feb 11

Rolling Readers Annual Appeal

Post by Parallax

For the past two years we have worked to help the organization Rolling Readers with their annual appeal piece that helps raise money for their organization. It is always an exciting and fun project for us to work on, let us know what you think!

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19
Jan 11

Create a Campaign – Video

Post by Parallax

Have you ever needed to raise awareness or money for an organization?

We recently finished creating the “Strong Ties for a Strong Education” campaign for the La Jolla Country Day School. The campaign, which will run for several years needed depth with both the visuals and messaging to ensure longevity and consistency to create and maintain awareness.

The video is a quick peek into the process, visuals and messaging for the campaign.

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4
Jan 11

Meet Robert Craghead of Ten Stories

Post by Sean Bacon

Robert Craghead is the founder of Ten Stories, a motion branding creative house located in San Diego, California. Ten Stories works with multiple Fortune 500 companies as well as a wide range of film and broadcast television clients creating commercials, product demonstrations, film and television main title sequences, and all other motion related content for broadcast or web.

How did you first get into the film/video world?
In college I took a video production class. Up to that point I was unsure of what I wanted to use my degree towards. In the class, we were assigned a project to create a 1-2 minute video. Most students created carbon copies of popular music videos of the day or badly-done narrative Pulp Fiction rip-offs. I created a 6 minute horror film with sets, props, and a plenty of gore. Although I went way above the allotted 1-2 minute limit, I got an A on the project. That’s when I found out in film there really are no rules, just results. I liked that.
What do you see in the future for filmmaking and integrated new media?

I have seen firsthand the difficulty in distributing a modest-sized budget film. It seems that the film industry is being affected by the Internet in many of the same ways the music industry is. Big budget films are still making money, but small to mid sized films are being squeezed out. The studios and distribution companies are shying away from purchasing many films because of the high price in marketing them, and the high risk that they won’t get even a break-even return. This makes it difficult for the independent filmmaker to even think about creating and distributing a film in the traditional way. For every Paranormal Activity there are 500 films that didn’t make it…and a large percentage that were much better, just couldn’t get an audience.

That said, there are many advantages to being a filmmaker these days. Specifically, having more eyeballs on your film. The free distribution outlets to show off your talent (or product) is abundant (YouTube, Vimeo, etc.). A filmmaker can use these outlets to their advantage in showing the film or marketing it (so brilliantly executed for Paranormal Activity). This ideology should also be embraced by companies who want to get their message out. Why buy commercial time when you can get it for free?…and have a direct link to your site. We have already seen massive ad campaigns built on web video (Toyota, BMW, etc.). It will only become more prevalent in the future.

How has design had an impact on your life?
Design is a huge component to what I do at Ten Stories, as well as just enjoying the world. I have always been a huge fan of architecture. Simple line structures definitely has an impact on our everyday design work at Ten Stories.

What would you do if you were not a filmmaker?
Tough question. I would like to think I would be an architect…probably a stay at home dad.

Where do you find inspiration?
Simple things inspire me. The things we see everyday, but don’t really notice. Simple shapes and textures…things my young son notices…such as connected blocks. It really amazes him. So simple, yet perfect.

Favorite music?
If I was on a desert island and had to pick one artist to listen to, it wouldn’t be hard. Sigur Ros. Beautiful and timeless.

Print or web?
Wherever good design is. I guess I prefer print, just so I can touch and feel it. But in the end, good design is good design.

Favorite Spot when you get out?
Every Friday afternoon I pick up my kid and go to the Zoo. I could look at the Gorillas for hours. They don’t do all that much, but when they move…Wow, you can just see all the strength they have, yet they seem so gentle.

Top 3 movies of all time
1. The Good, the Bad, and the Ugly
Perfect movie. Made me think as a kid movies can be as emotional and tense…without a ton of dialogue.

2. Reservoir Dogs
Stark contrast to The Good, The Bad, and the Ugly. Great, great dialogue. Seems like such a big movie, but what did they have?…4 sets?

3. To Kill a Mockingbird
Gregory Peck or Jimmy Stewart? It was either this or Vertigo. Timeless. I think people will still be watching these 100 years from now. A good book too.

When not working you are…
Hanging out with my wife and kid. Thinking of the next project.

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